Saturday, May 28, 2011

Thank you PSTracks.com for This Article!

Written by Cookie Marenco

Reflections on Recording Vijay Iyer’s latest album
Vijay Iyer is an international artist of the highest caliber and reflects the new sensibilities of jazz’s next generation of players.  Though considered a ‘youngster’ in the world of jazz, Vijay has been recording albums for more than 15 years.  Vijay was named 2010 MUSICIAN OF THE YEAR in the Jazz Journalists Association Annual Jazz Awards!  I’ve had the great fortune of recording all but one of his releases.  It’s been a pleasure to watch him grow and see him grace the covers of notable magazines such as Downbeat and Jazzwise. He was recognized with a Grammy Nomination for Best Jazz Recording.
Though Vijay is a resident of New York City, he chose to fly to the San Francisco area to record at OTR Studios, my commercial recording facility of 25 years.  Because this would be his first solo piano effort, his decision to use my studio was based around the 1885 Steinway that lives at OTR along with my personal bias to record on analog tape and mix to DSD (Direct Stream Digital).  Light or heavy action, key grip, pedal noise, and you name it variations between instruments make it a challenge for any pianist to perform at their best.
Vijay is always keen to ‘future-proof’ his music by recording with the highest fidelity audio gear and format available.  We used the E.S.E (Extended Sound Environment) techniques devised for Blue Coast Records’ projects.  We simultaneously recorded to tape, DSD and 44.1khz/24bit.

Vijay’s choice of songs showed his wide appreciation for all great artists.  From Michael Jackson’s Thriller he performed a version of ”Human Nature”, my personal favorite.  Over the three-day recording period, he applied his unique interpretive style to works by Ellington, Monk and many other well-known composers. Most of you are familiar with analog tape and have heard of Direct Stream Digital recording.  DSD is a one-bit digital recording format that offers 2.8 million samples per second.  I realize there are numerous opinions on this subject of preference, but, in my view, DSD comes closest to tape and is our format of choice for multitrack recording.  Thanks to Gus Skinas and the Super Audio Center, we have a Sonoma System at OTR studios for use with EMM Labs ADDA converters.

To Read the complete article at PStracks.com please click here!